Jumat, 24 Februari 2012

[L860.Ebook] Download PDF Symposium (Oxford World's Classics), by Plato, Robin Waterfield

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Symposium (Oxford World's Classics), by Plato, Robin Waterfield

Symposium (Oxford World's Classics), by Plato, Robin Waterfield



Symposium (Oxford World's Classics), by Plato, Robin Waterfield

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Symposium (Oxford World's Classics), by Plato, Robin Waterfield

In his celebrated masterpiece, Symposium, Plato imagines a high-society dinner-party in Athens in 416 BC. The guests--including the comic poet Aristophanes and Plato's mentor Socrates--each deliver a short speech in praise of love. The sequence of dazzling speeches culminates in Socrates' famous account of the views of Diotima, a prophetess who taught him that love is our means of trying to attain goodness, and a brilliant sketch of Socrates himself by a drunken Alcibiades, the most popular and notorious Athenian of the time. Engaging the reader on every page, this new translation conveys the power, humor, and pathos of Plato's creation and is complemented by full explanatory notes and an illuminating introduction.

  • Sales Rank: #1510599 in Books
  • Published on: 1998-07-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 5.00" h x .50" w x 7.50" l,
  • Binding: Paperback
  • 160 pages

Review

"A brilliant translation that gives new life to a classic. The introduction alone is worth the price of the text. Waterfield brings grace and style to the Symposium, brushing away the dust that pollutes the inferior, dead translations of the past."--William McTaggart, Westminster College


"The translation is quite good, remaining faithful to the original while flowing smoothly for the modern reader."--Ancient Philosophy


"Waterfield's translation is scholarly, yet in touch with the ZEITGEIST. More accessible than its predecessors, students will benefit from the refreshingly new tone of the introduction and translation. The notes and the index of names also add a fresh level of usefulness and a measure of charm."--Elf S. Raymond, Sarah Lawrence College


"Great. Superb notes. Informative but not pedantic."--Professor John R. Lenz, Drew University


"[The] introductory material is lucid and well-chosen."--Bryn Mawr Classical Review


"I like full Intro., marginal ref. numbers, excellent notes, size, and comfortable binding."--Madonna R. Adams, Pace University


"Waterfield's editions in the World's Classics series are superlative. Lucidly translated, his notes of explanation are, additionally, useful both to novice and to scholar."--Verna V. Gehring, Hood College


Language Notes
Text: English (translation)
Original Language: Greek

From the Publisher
Library of Liberal Arts title.

Most helpful customer reviews

20 of 23 people found the following review helpful.
Symposium in Greek
By J. C. Woods
There are three good commentaries I know of on the Symposium. There is Rosen's, whose virtue is scholarly depth. Allen's, which unlike Rosen's, is good as an introduction and for those who simply want to enjoy the Symposium without getting entangled in scholarship. Finally there is this one, whose primary virtue is as a commentary of the Greek. This book, unlike Allen's, contains no English translation. If you want to read Symposium in Greek and need help or if you want to look up various terms in Greek, this is the book for you. If, on the other hand, you don't read Greek, or are uninterested in Greek there is a high likelihood you will be disappointed by this book.

26 of 34 people found the following review helpful.
The Wit and Wisdom of Love
By mp
Plato's "Symposium" will always be read because there will always be people who question the nature of Love. Agathon's dinner party is the scene of a conversation between a small group of men, who go around the table offering their views on Love. What does Love mean to us to-day? Reading over the responses of the dinner-guests and their host, we find the same range of answers in Ancient Greece that we are likely to find now.
Phaedrus and Pausanias are utilitarians and materialists. Phaedrus looks at love between people and a proto-Burkean love for government and state. Pausanias complicates the argument, saying that there are two different kinds of love, one which is common and one which is heavenly - yet still oriented towards the real and the tangible. Eryximachus is a proto-Swedenborg, trying to reconcile or harmonize the two kinds of love.
The jewels of Plato's "Symposium" are Aristophanes and Socrates. Aristophanes gives us the profoundly moving depiction of Love as a fundamental human need, a desire for completion. For a writer of comedy, whose aim as an art form is forgiveness and acceptance, Aristophanes's explanation is no surprise, though its depth is amazing. While women are generally discounted throughout the "Symposium," not only does Socrates, as we might expect, completely astound his audience (both inside the book and out) with his progressively logical and ascendant view of Love, but he also does it through the voice of a woman, Diotima. When we realize that Socrates is a character in this fiction, and that his words originate in a woman, the egalitarianism and wisdom of Plato the author truly shines forth, like the absolute beauty he claims as the ultimate goal of Love.
Was Plato a feminist? I don't know. I do know that the "Symposium" is a tremendous book. I picked it up and did not stop reading it until I was finished. The style of the Penguin translation is smooth, with a lighthearted tone that can make you forget that you are reading philosophy. Plato's comedic masterpiece in the "Symposium" is the character of Alcibiades, who provides the work a fitting end. Get the "Symposium" and read it now. You cannot help but Love it...in a Platonic sort of way.

13 of 17 people found the following review helpful.
Cut Your Teeth On This One
By Captain Cook
A special mood is induced by reading Plato, the product of an elite society whose ideal was leisurely contemplation. Indeed, it is an activity that seems to clash at every point with our own unreflective society whose thought currency is minted in soundbites and advertising slogans. People are not encouraged to be philosophical nowadays, so it is mainly the resort of the antisocial and the willfully eccentric who are in this way enabled to look down on the 'crude, vulgar masses.' Who, reading a book of Plato's, hasn't felt something of this pleasure?
If there is one book by Plato that can be considered to have a more mainstream appeal then it must surely be "The Symposium." The subject of love is of interest to us all and worthy of investigation as behind this word, perhaps the most overstretched in our language, there are so many possible meanings.
With this book we are able to eavesdrop on an after dinner party conversation by some truly great minds. As always, Plato is happy to present more than one view. Of course, the shocking point for the mainstream modern reader is that most of the discussion concerns homosexual love, nevertheless much of what is said can also be applied to many heterosexual situations.
Among the participants presented with perhaps some semblance to their original characters, are the great Athenian comic playwright, Aristophanes, and, towards the end, the party is enlivened by the arrival of the controversial Alcibiades, possibly the most brilliant statesman and soldier of his generation. It is through him and his confession of attempted seduction that we learn a great many details about Plato's mentor, Socrates.
The translator, Christopher Gill, succeeds in presenting the chain of argument in a clear, lucid style, further supplemented by a fine, lengthy introduction and copious notes for those unfamiliar with late fifth century BC Greece.

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Rabu, 22 Februari 2012

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Barron's AP Microeconomics/Macroeconomics, 4th Edition, by Frank Musgrave Ph.D., Elia Kacapyr Ph.D.

In-depth preparation for both AP economics exams comes with the following features:

  • Two full-length practice tests, one in Microeconomics and one in Macroeconomics
  • All test questions answered and explained
  • A detailed review of all test topics, which include: supply and demand, theory of consumer choice, economics in the public sector, costs, perfect and imperfect competition, monopolies, labor resources, game theory, the national income and gross domestic product, inflation and unemployment, fiscal policy, money and banking, monetary policy, economic growth, international trade and exchange, interest rate determination, and the market for loanable funds

    • Sales Rank: #225016 in Books
    • Brand: Brand: Barron's Educational Series
    • Published on: 2012-02-01
    • Original language: English
    • Number of items: 1
    • Dimensions: .60" h x 8.30" w x 10.80" l, 1.30 pounds
    • Binding: Paperback
    • 360 pages
    Features
    • Used Book in Good Condition

    Most helpful customer reviews

    8 of 8 people found the following review helpful.
    Wonderful, Comprehensive Review of AP Econ Topics
    By David Snyder
    Having just received AP scores back for this past year, I think I must give much credit to this book for my AP results.

    Some quick background: I am a just-graduated senior, and this past year I took five AP classes (including Macro/Micro, so it was only four AP periods per day). I had to semi-self study economics; my schedule forced me to meet with the econ teacher separately each day and receive the assignments, but I couldn't attend the AP Econ period and hear the lectures, due to a conflict with my AP Physics class. I started using this book as a refresher for micro (my school does micro first semester) in early March, leading into AP's in May.

    On both Econ tests I was fortunate enough to receive a score of five.
    This book was a HUGE reason why.

    First and foremost, it is concise and well-organized. The topics are split up into digestible sections that encourage readers to read the full chapter rather than skim through in too shallow a manner. Because there are only about 20 chapters total, it is easily possible to really know the information in as little as five or ten days. You simply need to read 2-4 sections per day and do the practice problems.

    The second point in its favor is the problem sets it contains. Personally, I am a fan of seeing more problems and figuring out the theory from the answers (ie - more practice problems and less reading), so I was glad that this book had a good number of practice questions, especially for macro. Furthermore, in my experience the questions were accurate to the format of the exam MC questions:

    DISCLAIMER* (I am NOT giving away AP questions, College Board, I am simply saying that the form of the questions was similar).

    The FRQ's are well-suited to the material, and reinforce the topics presented. HOWEVER, I strongly suggest supplementing this (and any) book with the FRQ's from the past five years' exams. Log in to College Board, find AP Econ, and the FRQ's going back ten years are posted in PDF format - print them out along with the provided answer keys to get a sense of what topics are repeated and how often. In this sense, the FRQ's in the Barrons book (like the FRQ's in most review books) are of limited value to actual AP FRQ's but are very useful towards cementing the understanding of the multiple choice content.

    My only gripe with this book is that there is only one full-length practice test per exam (one macro, one micro), and that the micro half [one of them at least - I think it was micro] had few MC questions for practice after each chapter. Every relevant topic was covered in these questions, yes, but nonetheless there is no harm in including 2-3 questions per topic instead of the bare minimum [about 25 additional MC questions per exam can be found on College Board, in the files with the syllabi; included in each downloadable syllabus are 20-25 MC questions with answers at the end].

    I wish that there had been another test for Macro and Micro (or more for that matter), and I was considering marking it down as such. However, in my research on other books (Princeton Review, etc), I found that every book generally had one test per subject. So, in honor* of the subject, I decided on five stars because the *opportunity cost* of a different book is NO ADDITIONAL PRACTICE TESTS THAN THIS ONE.

    Given that, you would be hard pressed to find a book better able to get you fives on these exams.

    In a matter of 7-8 weeks I read through this entire book end-to-end; the writing is clear, concise, cogent, and engaging. And if you do this, there is no way you can't get two fives. This book covers everything and does not waste your time.

    5 of 5 people found the following review helpful.
    AP Econ Barron's
    By USAZbooks
    This is the best review book for AP Econ. My son used this alone to self-study through the summer of 2012 and used to revise in May 2013 for the AP exam. First time in Economics and he gets a 5 , for both Micro and Macro. That in a sense is this book, its more than enough to get you through AP Econ, which is one of the easier AP exams, plus just by studying one book, you get to be able to take 2 AP Exams, no other way to increase your AP Exams success numbers than by one book take 2 exams. Good on all areas, best on Macro, more than sufficient. Better yet if you have study AP Economics in Senior year school class, this provides an outstanding study companion better than any text book. Highly Recommended.

    4 of 4 people found the following review helpful.
    Barrons for AP exams always a good decision.
    By Error404
    I should have used this instead of the text book as this was not only easier to read but I comprehended the information out of this book more so than the teacher and then book combined. Not that he couldn't teach I just could not grasp his method.

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  • Selasa, 14 Februari 2012

    [E377.Ebook] Fee Download Forging the Sword: Selecting, Educating & Training Cadets & Junior Officers in the Modern World (Military History Symposium Series of the U

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    • Sales Rank: #4376116 in Books
    • Brand: Brand: Imprint Pubns
    • Published on: 1998-07
    • Original language: English
    • Dimensions: 9.00" h x 6.00" w x 1.00" l,
    • Binding: Paperback
    • 441 pages
    Features
    • Used Book in Good Condition

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    Jumat, 10 Februari 2012

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    All Music Guide to Classical Music: The Definitive Guide to Classical Music (All Music Guides), by Chris Woodstra, Gerald Brennan, Allen S

    (Book). This is the definitive source for composers, compositions, and genres. The book contains over 500 composer and 800 performer biographies. Each artist entry includes vital statistics and album recommendations. The book covers thousands of compositions, including operas, symphonies, concertos, and ballets, and it includes 23 essays devoted to classical music's major eras, forms, and genres. Choral works, songs, keyboard works, chamber music, and film scores receive dedicated sections. Includes 4,000 descriptions of composers' works and 12,000 recordings recommended by All Music Guide editors.

    • Sales Rank: #956337 in Books
    • Brand: Brand: Backbeat Books
    • Published on: 2005-09-01
    • Released on: 2005-09-01
    • Original language: English
    • Number of items: 1
    • Dimensions: 9.25" h x 2.40" w x 7.50" l, 4.72 pounds
    • Binding: Paperback
    • 1632 pages
    Features
    • Used Book in Good Condition

    Most helpful customer reviews

    79 of 80 people found the following review helpful.
    A unique new guide ... but oh-so tiny print
    By Alan Lekan
    This giant, 5 lb, small-print guide is not exactly a book you nestle down with in your reading chair. Let the buyer beware: if you are a person who cannot or does not like to read really, really FINE PRINT, then this guide is probably not for you. It has by far the tiniest print I have seen in a book - even smaller than the "Third Ear Guide to Classical Music" if you are familiar with that one.

    In my first look at this monster-of-a-guide, I could not get beyond this tiny print and the overly-plain visual layout. But, with another long look, the value of this unique guide started to stand out clearly. There is a reason for such tiny print - to cram in an unbelievably vast amount of information in one volume. The All Music Guide is enormously ambitious in what is contains:
    o BIOGRAPHIES of over 500 composers AND 800 performers (unprecidented in one volume)
    o Fairly detailed PROGRAM NOTES for an impressively large number of works (not just the major ones)
    o Listings of 2-6 RECOMMENDED RECORDINGS for each work (but no comparison or explanations of the choices like Penguin)
    o ESSAYS on the major musical periods and forms (difficult to read these longer sections with the tiny font size!)

    The amount and level of detail of the program notes is impressive - giving musical history, perspective and minor analysis for not only a given category of work (say, Mozart's 27 piano concertos) but also most or all of the individual works! These essays are not unlike those found in a CD liner notes. So, with this guide, you can look up the background and musical insights of Mozart's concerto #20 as well as see what recordings/astists are recommended for that one concerto. The only other guide that does this is Penguin Guide. So, now can you appreciate why this book has such tiny print and weighs a ton? But, as enormous as this guide is, don't expect EVERY composition to be listed. For instance, under "Beethoven" there is ample discussion about the string quartets, there is little text or recordings for the ten violin sonatas and early string trios.

    Another valuable aspect for many will be the biographies of the great past and present PERFORMERS. This volume contains fairly detailed highlights of each artist career (2-4 paragraphs) AND a listing of their finest recordings for performers like Argerich, Grumiaux, Perlman, Perahia, Rubinstein, Horowitz, Galloway, Holzinger, Bain and so on. (But some of your personal favorites may not be there - like Rachel Podger and Pamela Frank for me). However, I found the performer biographies a bit dry with not enough juicy details about their lives, styles and sometimes quirky sides to make it really compelling and interesting. (tip: one of the best books for fascinating personal stories on the great pianists is David Dubal's book, "The Art of the Piano").

    Also, keep in mind that the AMG is NOT a CD/DVD guide as it only LISTS a few recommended recordings and does not compare/contrast/explain them (like Penguin, Third Ear, or Gramophone Guides). But, then again the title says "Guide to Classical Music" and not "Guide to CD's DVD's" like the others. So, its a different animal. But, I thought the AMG's focused recommendations were up-to-date and reliable overall, giving a good range of historic, modern, and budget choices. All-in-all, a valuable addition if you already have Penguin, Gramophone and Third Ear Guides to Classical Music.

    33 of 35 people found the following review helpful.
    An outstanding guide for information and recordings
    By Larry VanDeSande
    Published in 2005, the All Music Guide to Classical Music (AMG) is a handy home version of some features from its webpage. As a published guide, is more a direct competitor to the The Rough Guide to Classical Music and does not directly compete with buying recommendation guides like The Penguin Guide to Recorded Classical Music and Classical Music: Third Ear. Like Third Ear, the AMG assigns composer coverage to a single individual -- usually more than one writer works on different sections of a composer's output; sometimes a different writer covers each symphony or concerto of a composer -- giving readers what amounts to an individual, not group, recommendation. This is one of the principal shortcomings of Third Ear, which operates the same way.

    Among its best points, this is a comprehensive guide to composers and performers, perhaps more so for the latter than the former, giving both new and experienced collectors a tad of information on their favorite orchestras, ensembles, conductors and performers. I learned in this guide violinsit Joshua Bell was born in 1967, making him older than I suspected and two decades older than he appears on the cover of his new Tchaikovsky Violin Concerto. I'd never read his birthdate in any of his recordings or in the music dictionaries I own. I tried to find violinist Janene Jansen's age; she isn't represented in the book.

    Another plus: the AMG provides recommended recordings for every individual and group it discusses. Fans of the English Concert may or may not agree with recommendations for its recordings of Haydn's "Sturm und Drang" symphonies, Handel Orchestral Suites, Vivaldi Concertos, Bach Brandenburg Concertos, and Handel's complete Organ Concertos. I've heard many of these recordings and the recommendations seem judicious.

    The recording recommendations in this guide are safe and sometimes better. The writers often recommend very well known and long established recordings, always on major labels. In the section on British symphonist Ralph Vaughan Williams, each writer discussing VW's individual symphonies recommends the most well-known stereo recordings of Boult, Hickox and Barbirolli. Not a single writer recommended any Vaughan Williams recording of Vernon Handley, one of the best living interpreters of this composer. Nor does one recommend a single recording from the VW Naxos series that has garnered acclaim all over the place.

    As a result, for all AMG's worthwhile descriptions of composers and performers, the recording recommendations require amplification from elsewhere. The book is also not thorough with every composer. Its section on one of my favorites composers, Franz Krommer, does not discuss or make recording recommendations on his best and most popular body of work, his Octet-Partitas. Neither is there any section describing the time and work from one of my favored minor composers, Joseph Triebensee; nor is there a section describing one of my favored lesser recorded conductors, Claus Peter Flor. So, while good, this tome is far from complete. You may located some missing material at the All Music Guide's Web site, if you choose.

    The guide describes itself this way: "A handy, single-volume guilde to the kaleidoscopic world of classical music - one that doesn't cost a fortune and doesn't require an advance degree to understand." Maybe it doesn't cost a fortune; the one I have is labeled $34.95; you can get it for much less here. And maybe it's straighforward much of the time but not always. In fact, the composer sections and sections on recordings are written by musicologists that often go into musical detail beyond the average listener.

    Here's an excerpt from the descripton of William Walton's Sympony No. 1: "Write a fugue...the result was a dam-breaking fugue three minutes into the movement before the pace switched from Brioso ed ardentemente (spiritiedly, ardently) to Vivacissimo, leading to a return of the Maestoso materials that began it."

    The AMG is, in the main, a useful guide to the realm of classcial music performers and recordings. It is superior to the Rough Guide to Classical Music and operates in similar bandwidth. It tries to tell you a little about everything and, to some extent, it succeeds and gives information other books skip.

    This is a excellent starting point for a beginner that offers a little about everything and everyone and is vastly superior to the Rough Guide. For more experienced listeners and collectors, it makes a meaningful addtion to your library that already contains the Penguin Guide, Third Ear and a good encyclopedic tool such as the Oxford Dictionary of Music of The Penguin Companion to Classical Music, all of which offer more detailed information in their specific areas of expertise.

    1 of 1 people found the following review helpful.
    There is much to like here. The book is massive
    By Alan L. Saltzstein
    There is much to like here. The book is massive, but also generally well written and even occasionally with a sense of humor. Don't be turned off by the small print. Pretend you are reading the New York Times. I have only scratched the surface, but already have learned a great deal.

    See all 13 customer reviews...

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    Selasa, 07 Februari 2012

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    • Sales Rank: #7277288 in Books
    • Published on: 1996-01-25
    • Binding: JP Oversized

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